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Brewing Beer at Sea: Meet the World’s First Cruise Brewery

Brewing Beer at Sea: Meet the World’s First Cruise Brewery

by Diana Bocco

 

Carnival’s newest ship, the Carnival Vista, is the first-ever cruise to have a craft brewery on board. Not only that, but the RedFrog Pub & Brewery comes with its own brew master. Colin Presby, who’s at hand to answer questions, offer guided tours and tastings, tell you about pairing food and beer, and speak about his unique experience of brewing beer at sea for more than 3,500 people. We asked Presby about what it’s like to run a moving brewery and how this adventure started.

 

CRUSHBREW: What is it like to handle a brewery aboard a ship?

COLIN PRESBY: Running the brewery on board Carnival Vista is an exciting challenge. For the most part, the brewing process is the same as it would be on land, but we have a few additional challenges. The biggest challenge is one of logistics. Since the ship is always on the move, it’s not possible to simply order replacement parts or ingredients and have them shipped to the brewery overnight. This takes an extra level of care and planning to make sure we have the right things on hand at all times.

 

From a beer quality standpoint, we occasionally run into clarity issues when the ship has a couple days of rough seas. When our serving tanks are full, the movement of the ship doesn’t change much, but once the tanks get low, the motion of the ocean tends to stir things up.

 

CRUSHBREW: Can you tell us a bit about your background and your experience in the craft beer industry?

PRESBY: I began as a homebrewer back in 2006, and I have been brewing professionally for about seven years. I started at Weyerbacher Brewing Company in Easton, PA, working my way up from the bottling line. After a couple years, there I started brewing at Stoudts Brewing Company in Adamstown, PA where I had the chance to work with craft beer pioneer Carol Stoudt. Most recently I was head brewer at Golden Avalanche Brewing, a small brewpub in Kutztown, PA. Along the way I did formal brewing education through the Siebel Institute and continued to learn through active involvement with the Brewers Association and the Master Brewers Association of the Americas (MBAA).

 

cruise brewery

CRUSHBREW: What can you tell us about the three special beers served at the brewery? Do you have a favorite?

PRESBY: Our three primary house beers are: Thirsty Frog Port Hoppin’ IPA: 6% abv American-style IPA brewed and dry-hopped with a high impact charge of Citra and Simcoe hops to give it a solid bitterness and notes of citrus and tropical fruits in the flavor and aroma. Thirsty Frog Caribbean Wheat: 4.8% abv Belgian-style wheat beer brewed with orange peel and coriander. This refreshing beer is the perfect choice for sitting in the shade on the open deck on a hot Caribbean day! Frisky Frog Java Stout: 5% abv coffee stout. Dark and rich, Frisky Frog is aged on whole bean coffee and cocoa nibs to give it a well-rounded bold java flavor.

 

In addition, we have been rotating in some seasonals, currently Thirsty Frog American Pale Ale, a nicely hoppy traditional APA. My favorite depends on the day and the weather, so it’s hard to choose one I just think it’s fantastic to have a selection of fresh craft beers made right on board.

 

Can You Name All 18 of Anheuser-Busch InBev's Billion-Dollar Beer Brands?

Can You Name All 18 of Anheuser-Busch InBev’s Billion-Dollar Beer Brands?

Click here to view original web page at www.fool.com

Beer production keeps going flat for the big brewers as consumers expand their taste palates to include a broader array of alcohol, including hard liquor and spirits, but Anheuser-Busch InBev (NYSE:BUD) has a deep bench of suds to keep its business frothy.

The global brewer recently noted that with its acquisition of SABMiller complete, its portfolio of more than 500 beers includes seven of the top 10 global beer brands. It also claimed ownership of 18 brands that each generate over $1 billion in annual retail sales. That makes it a brewing powerhouse with the ability to withstand any changes in drinking fashion.

Beer production on the decline

Certainly the U.S. beer market is in a funk. According to the Treasury’s Alcohol and Tobacco Tax and Trade Bureau, beer production in 2016 fell to 188.6 million barrels, a 1.2% decline from 2015’s 190 million barrels.

With one barrel the equivalent to 31 gallons, that’s still a heck of a lot of beer, but production has been steadily falling and is down 6% from 2002 when it exceeded 200 million barrels. Last year, in fact, was the first time in decades that production was below 190 million barrels.

Even the market segment that has been reporting double-digit percentage gains for years — craft beer — has started to show weakness: The industry trade group Brewers Association, which represents independent craft brewers, said their segment’s production expanded by only around 8% last year. That still indicates the niche is growing, but it’s largely small-batch brewers that are doing the heavy lifting while the big craft brewers like Boston Beer (NYSE:SAM) stumble. The leading craft brewer reported depletions (shipments to distributors and retailers, a proxy measure of consumer demand) had fallen 5% last year.

It’s really becoming a market delineated between true craft brewers and what is being called “mass craft” beer. As drinkers search out the latest in new, local flavors, the big craft brands — and the mega brewers like Anheuser-Busch, which have their own mass craft brews such as A-B’s Shock Top — suffer.Can You Name All 18 of Anheuser-Busch InBev\'s Billion-Dollar Beer Brands?

Importing growth

Yet the slowdown in beer sales is not an across-the-board phenomenon, either. According to industry site BevNet, the market researchers at Nielsen say off-premise sales of imported beer rose 6.8.% last year while dollar sales were up 9.1%, with almost all Mexican beers showing strong growth.

Unfortunately, that doesn’t help Anheuser-Busch, which had to sell the U.S. distribution rights to the popular Corona brand to Constellation Brands (NYSE:STZ) in order for its acquisition of Mexican brewer Modelo to pass regulatory muster.

A rich portfolio of brands

Still, it bodes well for the brewer elsewhere, as the company’s global distribution of Corona and its sister beer Modelo Especial are two of the beers in its billion-dollar sale portfolio. Here are all 18 of AB-InBev’s biggest selling brands.

Brand Category Country of Origin
Antarctica Local Brazil
Beck’s International Germany
Brahma Local Brazil
Bud Light Local U.S.
Budweiser Global U.S.
Busch Global U.S.
Cass Local South Korea
Corona Global Mexico
Guarana Local Brazil
Harbin Local China
Michelob Ultra Local U.S.
Modelo Especial Local Mexico
Natural Light Global U.S.
Quilmes Local Argentina
Sedrin Local China
Skol Local Brazil
Stella Artois Global Belgium
Victoria Local Mexico

While these brands generate a sizable percentage of Anheuser-Busch InBev’s $45.5 billion in annual revenues, it should also be noted that fully half of those brands are from the U.S. and Brazil, two markets that are experiencing turmoil.

Brewing up trouble

The shakeout going on in the U.S. we mentioned above, but Brazil has its own local issues: Due to economic problems, its currency was devalued, which has led to an increased cost of sales for the brewer. Still, Anheuser-Busch says it remains upbeat about the prospects for the market. It has done business in Brazil for 30 years, and with favorable demographics suggesting the likelihood to future growth, it foresees a turnaround in its fortunes there.

Plus, with the Miller merger now behind it, Anheuser-Busch InBev has strengthened its position in developing markets and sees itself poised for growth in Asia, Central and South America, and Africa, markets it says will play a key role in its plans.

Although investors tend to focus on how beer trends in the U.S. will impact a brewer, given its global reach, and its portfolio of hundreds of brands beyond its $1-billion-a-year sellers, it would be short-sighted to bet against this company based on its domestic woes.

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25 most important American craft beers ever

25 most important American craft beers ever

Food & Wine had a great idea.

I’m borrowing it.

Last month, the magazine asked 21 beer industry luminaries to rank the most important craft beers of all time. Not the best, which would have been a ridiculous and impossible undertaking.

The most important.

As you might expect from a pack of luminaries, the list was fairly well-constructed. But after sharing it on social media and following with my own thoughts, most of which blew past 140 characters, there was only one thing to do: Make a list of my own.

What makes an “important” beer? To me, the definition is simple: It’s one that either changed consumer tastes or how breweries approach making beer. Some of the beers below have influenced both drinkers and brewers. Others hew more in one direction than the other. Others find their power in the brand or the package even more than the beer. As you’ll see, I agree with much of the Food & Wine list but also take several exceptions.

I’m interested in your opinions too. Feel free to email with the beer that has been most important to you, personally, with a few sentences explaining why, and we’ll follow up in the coming weeks with the readers’ say.

Until then, here is my ranking of the American craft beer industry’s 25 most important beers ever (which actually numbers more than that due to several ties):

1. Sierra Nevada Pale Ale (Sierra Nevada Brewing)

As simple as the concept is now, Sierra Nevada’s flagship beer was revolutionary in 1980: a hop-forward pale ale showcasing the spry citrus character of American-grown hops. Nothing like it had existed before on a commercial scale; now such beers line shelves of any and every reputable beer store in the country. There’s no other reasonable choice for the top spot. (Food & Wine rank: 1)

2. Sam Adams Boston Lager (Boston Beer)

Not the most exciting beer, but the company’s ambitious growth, crossed with founder Jim Koch’s marketing savvy — including a very public war of words with Anheuser-Busch during the 1990s — has arguably done more than any other brand to challenge the dominance of Bud, Miller and the old standbys. As Goose Island founder John Hall once told me: “Jim built a tent that the rest of us could step into.” (F&W: 2)

3. Bourbon County Stout (Goose Island Beer Co.)

When first released in 1995 (yes — it was 1995, not 1992 as the label says), an imperial stout aged in bourbon barrels might as well have been a lager brewed on Mars; it just didn’t exist. Goose Island gave the world a gift by coaxing those phenomenal flavors that result from imperial stout meeting whiskey barrel — vanilla, chocolate, coconut, marshmallow and oak. The evidence lies in the hundreds, if not thousands, of breweries that have followed suit. (F&W: 3)

4. Anchor Steam (Anchor Brewing)

The original American craft beer. End of story. (F&W: 11)

5. 90 Minute IPA (Dogfish Head Brewing)

Like “Jeopardy!” this spot began with an answer: hops. Hops have been the engine driving craft beer for more than a decade, and without an India pale in the top four, it was time for an India pale ale. Dozens of IPAs have been influential, which made zeroing in on one a challenge. But I settled on this classic, and without much consternation. Back in 1999, when many American craft breweries were still built on mimicking European beer styles, Delaware’s Dogfish Head changed how a nation thought about hops, with this boozy (9 percent alcohol), bitter (90 IBUs) and assertive imperial IPA. What made the beer even more important was the company’s aggressive distribution strategy, which made Dogfish the nation’s fastest-growing brewery by 2011 and put 90 Minute IPA in countless awestruck hands at a time that craft beer was building momentum toward the breakthrough that followed. (F&W: 23)

6. Blue Moon Belgian White (Blue Moon Brewing Co.; subsidiary of MillerCoors)

The Brewers Association defines a craft brewer, and MillerCoors certainly is not one. However, the Brewers Association does not define craft beer, and it is widely agreed: Blue Moon is a craft beer. Ubiquity and the power of that MillerCoors distribution network have made Blue Moon crucially important to the growth of craft beer; it has educated countless mainstream drinkers about the genius of the Belgian wit. (F&W: Not ranked)

7. Lagunitas IPA (Lagunitas Brewing)

Hard as it is to imagine, IPAs barely existed in 1995, which put this beer and its citrus-pine hop character ahead of its time. More subtly, but equally important: Lagunitas founder Tony Magee claims to be first to package an IPA simply as “IPA.” Until then, he has said, the style was largely portrayed as “I.P.A.” and with the sort of images — a raja, the Taj Mahal, a Bengal tiger — that nodded to the style’s history as a British export to India. If in fact Magee was first to package IPA without the periods and the campy iconography — and I’ve found no compelling evidence to the contrary — this beer has been even more influential than its tasty liquid (which has become the nation’s top-selling IPA). (F&W: Not ranked)

8. New Belgium Brewing Fat Tire/Bell’s Amber (tie)

No one cares much about amber ales anymore, but like Sam Adams Boston Lager, the style helped convert scores of craft drinkers in the ’80s and early ’90s. It also gave breweries the bedrock, high-volume beers that financed their ability to embrace the wilder experiments that have come to define the industry. (F&W: Neither ranked)

9. La Folie (New Belgium Brewing)

Long before oak-aged sour beers were popular in American brewing, there was La Folie. This showed a generation of brewers the possibilities. (F&W: 13)

10. Pliny the Elder (Russian River Brewing)

One of the original American cult beers, Pliny can’t be found outside of its tiny distribution footprint — California, Oregon, Colorado and Philadelphia — and that’s partly where the power of this imperial IPA lies. But the beer backs up the hype with superb balance: bold citrus-pine character, malt backbone and bitterness. (F&W: 7)

11. Dark Lord (Three Floyds Brewing)

Dark Lord has several firsts (or near firsts) to its credit: It is among the first prominent examples of an imperial stout featuring adjuncts — in this case, coffee, Mexican vanilla and Indian sugar. Its annual Dark Lord Day release helped birth the idea of beer as an event. And, for better or worse, it has fueled the notion of rarity as a prized commodity in craft beer. (F&W: 8)

12. Redhook ESB/Widmer Hefeweizen (tie)

Extra special bitter and hefeweizen don’t have much in common, but these beers are linked in history by one powerful force: Anheuser-Busch. Both Redhook and Widmer sold minority stakes to the St. Louis giant during the 1990s when big beer was first grappling with the emergence of craft. In Anheuser-Busch’s mighty distribution network, both these flagships vaulted to national prominence and reached many more taste buds than they otherwise would have. A dotted line can be drawn from those deals to Anheuser-Busch InBev’s acquisition of nine American craft breweries since 2011, which has the world’s largest beer company poised to become the nation’s largest producer of craft beer in the coming years. (F&W: Not ranked/19)

13. Anchor Liberty/Anchor Porter/Anchor Christmas Ale/Anchor Old Foghorn (tie)

Arguably America’s first modern IPA, porter, seasonal release and barleywine all came from the same brewery. Remarkable. (F&W: 6/21/17/unranked)

14. Celis White/New Albion Ale/Bert Grant’s IPA/Pete’s Wicked Ale (tie)

Ah, the dearly departed. In the early ‘90s, Celis popularized the Belgian wit style in the U.S. (and quite likely inspired the existence of Blue Moon). New Albion lasted only a handful of years, but no less than Sierra Nevada founder Ken Grossman cites it as an influence. Grant is widely credited with brewing the nation’s first IPA (Anchor Liberty wasn’t marketed as such, though that’s essentially what it is). Pete’s Brewing was one of the five largest craft breweries in the U.S. through the ‘90s and served as a prominent alternative to Budweiser and Miller. All are gone; none is forgotten. (F&W: 14/10/unranked/unranked)

15. Allagash White (Allagash Brewing)

Blue Moon taught a generation of mainstream beer drinkers to love Belgian wit. Allagash White did it with grace and style. And without an orange wedge. (F&W: 4)

16. Black Butte Porter (Deschutes Brewery)

Opting for a porter as a flagship in 1988 was a bold move. The fact that Black Butte continues to be a bedrock brand for Deschutes — and that porter is now an industrywide bedrock style — more than affirms the decision. (F&W: Not ranked)

17. Dale’s Pale Ale (Oskar Blues Brewery)

Sometimes it’s not just the liquid that makes a beer important. Dale’s Pale Ale was the first craft beer to be widely distributed in cans, forever changing what we reach for when we reach for a craft beer. The fact that the handsome blue, red and silver can housed a well-made 6.5 percent alcohol pale ale didn’t hurt either. (F&W: 15)

18. Arrogant Bastard Ale (Arrogant Brewing)

It was the attitude as much as the beer that made Arrogant Bastard such a revelation upon its release in 1997. Stone Brewing — which spun off Arrogant Brewing into its own company in 2016 — set out to challenge beer drinkers in a way that the industry had rarely done. This intensely bitter and snarky beer (“You’re not worthy” was the tag line) pushed craft to keep pushing. (F&W: Not ranked)

19. Brooklyn Lager/Yuengling Traditional Lager/Victory Prima Pils (tie)

I’m lumping in the lagers because they’ve had similar effects on validating a style once disdained within the industry. Brooklyn and Yuengling did it with volume. Victory did it by crafting the perfect pilsner. (F&W: Not ranked/Not ranked/9)

20. Heady Topper (The Alchemist)

This Vermont double IPA helped establish the East Coast as a legitimate source of world-class craft beer — on par at last with the West. It also helped launch the unfiltered “New England IPA” style that has enjoyed recent prominence. This beer is still better than 99 percent of them. (F&W: 5)

21. Hennepin (Brewery Ommegang) and Tank 7 (Boulevard Brewing) (tie)

Ommegang has never been the most buzzed-about American craft brewery but has long been one of the best. Modeled on the Belgian breweries adored by Ommegang founders Don Feinberg and Wendy Littlefield, Hennepin was the first craft saison made in the United States. Boulevard’s Tank 7 didn’t come along until 2009 but is as responsible as any American saison for bringing that style to the mainstream. (F&W: Neither ranked)

Ommegang has never been the most buzzed-about American craft brewery but has long been one of the best. Modeled on the Belgian breweries adored by Ommegang founders Don Feinberg and Wendy Littlefield, Hennepin was the first craft saison made in the United States. Boulevard’s Tank 7 didn’t come along until 2009 but is as responsible as any American saison for bringing that style to the mainstream. (F&W: Neither ranked)

22. Cuvee de Tomme (Port Brewing/Lost Abbey)

Tart bourbon barrel-aged fruit beer doesn’t sound so radical now, but during the 1990s, Cuvee de Tomme was a revelation for anyone who could find it. I’ve never tried this beer, but it has been on my to-do list since learning its place in history while researching that wonderful, persnickety yeast strain, Brettanomyces. This was one of the first American beers to use Brett. (F&W: 18)

23. Matilda (Goose Island Beer Co.)

Speaking of Brettanomyces, Goose Island was among the first breweries to mainstream that yeast with the 2005 introduction of Matilda, a tribute to legendary Belgian beer Orval. Goose Island needed more than a year to figure out how to make a beer with Brett. Most of the literature at the time was about how to keep it out of beer. Matilda quickly caught the attention of both customers and fellow brewers, which has helped make Brett an industry staple. (F&W: Not ranked)

24. Every beer ever from Firestone Walker Brewing and New Glarus Brewing

How have we gotten this far without any representation from America’s two best breweries? OK, problem solved.

25. Not Your Father’s Root Beer (Small Town Brewery)

Just kidding.

Arizona Beer

The Wonderful and Unique World of Arizona Beer

When we think about craft beer hubs we usually think of southern California, Colorado, and Oregon. It is time we add Arizona to the list. Vines and Hops tasting room, located in Scottsdale Arizona is getting the word out about local beers.

Vines and Hops have 19 taps dedicated to Arizona craft beers. I spoke with one of the owners, Chad DeVille. I wanted to see what the trends are in the Arizona beer world.

“What I have seen is that craft beer keeps growing every year. It makes up 6 to 8 percent of the beer market share in Arizona.” Says Chad.

Since craft beer makes up 12 percent of the total beer sales in the U.S. there is obviously some room for growth information provided by brewersassociation.org.

Vines and Hops has seen its customers  favoring beers from Tucson’s Dragoon Brewery. Trending right now in Arizona beers is the additions of specialty flavors. Like O.H.S.O.’s Peanut brittle or Sleepy Dog’s West Snout Chocolate Stout. There is no lack of creativity in Arizona beer flavors thus making beer tasting at places like Vines and Hops an exciting experience for even the most seasoned beer snobs.

“I like serving beer because you don’t really see beer snobs. People who are coming in and tasting beer are usually pretty open, and are just here to try new flavors.” Says Chad.

So If you do not know the difference between a stout and a lager, there is no need to be skittish about going into a beer tasting room in Arizona.

Speaking of the types of people enjoying Arizona’s beers, Chad tells me that it is mostly a younger crowd, but more and more people who grew up only knowing the big beers are now trying new beers. Chad mentions that he was surprised how receptive people were to the Arizona beers. “We started out with ten taps of all local, and we got positive feedback, so now we’re at nineteen taps of all local beers.”

Arizona has 78 breweries, and more are popping up each year. This has not gone unnoticed by the large brewing companies like In-Bev. In fact the purchase of Four Peaks two years ago made national headlines. Chad said he gets the occasional drinker who claims that Four Peak’s flagship, Kilt Lifter is not as good as it once was.

For the Arizonan reading this, or if you are planning a trip to Arizona, make sure to try the unique beers that are as eclectic as our beautiful state. Vines and Hops can help guide your drinking tour of the state.

-Sam Hill

Woody Creek

Woody Creek Distillers: Keeping Things Clean for Top Quality

When it comes to distilling spirits, Woody Creek has one goal: “to make nothing but the finest craft spirits, each with a unique taste and character that was true to the origins of that spirit.” For them, that means growing and harvesting many of the ingredients, as well as collaborating with local farms to obtain prime material.

We talked to Keith Hemeon, Vice President of Sales for Woody Creek, to find out more about the distillery’s commitment to local production and clean, high-quality spirits.

CRUSHBREW: How did Woody Creek get started?

KEITH HEMEON: Our founder Patrick Scanlan knew about the history of growing potatoes in the Roaring Fork Valley of Colorado and reached out to his best friend, Mark Kleckner. In a former life, they were engineers, performing sub-contract work for the defense industry and had always enjoyed drinking vodka, specifically potato vodka.

CRUSHBREW: What inspired its creation and how did you get involved with the project?

KH: The inspiration for its creation was Patrick Scanlan. He believed that right outside of Aspen, CO. he could grow his own potatoes and produce single distilled, world class vodka from fresh potatoes that were harvested that same day. About three years ago I was working for Southern Wine and Spirits in Aspen/Snowmass as a sales consultant, selling wine and spirits. A close friend of mine was working for Woody Creek Distillers, and she asked me to come by and check out the Distillery. Once I walked in the door, I knew how special it was and I wanted to be a part of it.

C: You grow some of your ingredients yourself and buy others from local farms. Why was that choice made?

KH: We grow all of our own potatoes locally in the Roaring Fork Valley, close to 1.5 million pounds which produces our Potato Vodkas and Gin. We also grow Rye near Ft. Collins, CO. for our Colorado Straight Rye Whiskey. We purchase Barley, Malted Barley, Corn and Wheat from local Colorado farmers across the state,

C: You’ve also made a commitment not to blend with base spirits produced by other distillers. Why is that?

KH: Simple. We feel that the “Handcrafted” label we put on every bottle should stand for solely producing every drop that goes into our bottle. Purchasing Neutral Grain Spirit from out of state and then blending it confuses the consumer on what is actually “Made in Colorado” or even “Handmade” or Handcrafted. There are only a hand-full of “Craft” Distilleries that produce 100% of their own product that goes in the bottle.

C: You produce a very unique, 100 percent potato vodka. Can you tell us about it? How is it different to other vodkas?

KH: It all starts in the potato fields. We grow about 1.3 million pounds of Potatoes annually exclusively for Vodka distillation. Our WCD Potato Vodka is single distilled, unfiltered and moves from the soil to the bottle in about five Days. We only produce our vodkas three months out of the year during Harvest in the fall. Our WCD Potato Vodka won a Double Gold Medal at the 2015 San Francisco World Spirits Competition where is consequently also won the overall “Best in Show” for the entire vodka category.

C: What other drinks do you produce and what makes them special?

KH: We produce Woody Creek Colorado Gin from Potatoes as well and a Colorado Straight Rye Whiskey. The Gin is special because it is made from our Potato distillation as well and the Colorado Rye is special because it is made from Colorado Rye that we grow and harvest. It is 100% Straight Colorado Rye which to my knowledge is the only Rye from Colorado that uses 100% Colorado Rye for it’s mash bill, aged close to 3 years in our own temperature controlled rack house.

C: What’s next for the distillery? Is anything coming up?

KH: We have a few more aged spirits on the horizon. A Colorado Whiskey, Rum and eventually Bourbon.

margarita

11 facts about the margarita

-Rebecca OConnell read original article here.

Kick back, grab the salt and limes, and enjoy a frosty drink while reading these facts about your favorite summer cocktail.

1. ITS ORIGINS ARE MURKY.

No one is quite sure who invented the margarita, but there are a lot of theories. The most widely spread rumor is that an American socialite named Margarita Sames created the drink for her friends in 1948. One of her party guests was Tommy Hilton, who added the drink to the bar menu at his hotels. This is probably not true, though: The first importer of Jose Cuervo used the tagline “Margarita: it’s more than a girl’s name” in 1945—three years before Sames debuted her drink.

Another story is that a man named Danny Herrera made the drink in his Tijuana restaurant in the ’30s or ’40s (accounts vary). Marjorie King, one of the showgirls there, was unable to drink any hard liquor but tequila. She wanted a cocktail using the liquor, so Herrera began experimenting. He concocted the now-famous drink and named it after the showgirl, as Margarita is a Spanish version of the name Marjorie.

The very first print mention we can find of the drink (but not the name) comes from the 1937 book Café Royal Cocktail Book by William Tarling. The drink had a similar recipe but was called Picador (a type of bullfighter).

2. MARGARITA MEANS DAISY IN SPANISH.

The daisy is an old prohibition drink that has a base spirit, sugar, and a sour. The cocktail later inspired the sidecar, which is basically a margarita with cognac and lemon. Some believe that the margarita is just a spin on a tequila daisy.

3. THE FIRST FROZEN MARGARITA MACHINE WAS INVENTED IN 1971.

The origins of the cocktail are unclear, but the origins of the machine are pretty straightforward: Mariano Martinez invented the frozen margarita machine in the early ’70s. The 26-year-old Dallas restaurateur was having trouble creating the frozen drink for customers; bartenders complained they took too long, and customers thought they melted too quickly.

After seeing a Slurpee machine in a 7-Eleven, Martinez was struck with inspiration. He transformed a soft-serve ice cream machine into one that pumped out frosty margaritas. The drinks were a huge success, and the machines can now be found all over the country.

4. THE SALT IS IMPORTANT.

The salt is there to bring out the sweet and sour flavors of the drink; even just a pinch will help subdue the bitterness and enhance the important flavors. On top of this, salt intensifies the drinker’s perception of the drink’s aromas, making the flavors even more powerful.

5. MARGARITAS ARE INCREDIBLY POPULAR.

In fact, it was the most ordered mixed drink of 2008, according to the Cheers On-Premise Handbook. That year, Americans were consuming 185,000 margaritas per hour on average.

6. THERE ARE TONS OF VARIATIONS.

The original recipe calls for tequila, Cointreau, lime, and salt to garnish, but there are a number of creative spins of the cocktail. Different fruits like peaches, mangos, and pineapple can be added to give the drink a more tropical feel. Some replace the salt with sugar, or garnish with sage or coriander leaves. Even crazier, adventurous types will add ingredients like Sriracha or chocolate. Here’s a full list of creative margaritas to try.

7. THE WORLD’S LARGEST MARGARITA WAS MADE IN LAS VEGAS.

The Flamingo Hotel’s Margaritaville Casino in Las Vegas holds the honor of making the largest margarita in the world. This enormous drink was 8500 gallons (32,176 liters) and “served” in a 17-foot-tall tank. It took 60 people 300 hours to create. The drink, called the “Lucky Rita,” was created to celebrate the opening of the casino in 2011.

8. THE WORLD’S MOST EXPENSIVE MARGARITA COST $1200.

In 2013, 230 FIFTH Rooftop Bar & Penthouse Lounge in Manhattan baited partiers with a frozen margarita that used some incredibly high-end ingredients—the tequila alone cost $1800 a bottle. Even the ice was made from $450 bottles of Lois Roederer Cristal Champagne. The final product was poured into a Ralph Lauren hand-blown Hungarian crystal glass that can be taken home afterward. The decadent drink was for a good cause though—half the money was donated to a charity of the drinker’s choice.

9. OR YOU CAN BUY ONE WITH EARRINGS FOR $30,000.

If you thought $1200 wasn’t too bad to spend on a cocktail, how does $30,000 sound? For Valentine’s Day in 2015, the Iron Cactus in Austin, Texas, offered an extremely expensive margarita that came with a pair of diamond earrings. The bar’s “romance expert” would set the whole thing up; no word on whether all that dough covered dinner, though.

10. THERE’S A “WORLD” COMPETITION.

The Tucson Originals and the Southern Arizona Arts and Cultural Alliance get together every year to bring the public the World Margarita Championship. Renowned bartenders from Tucson come to duke it out for the honor of best margarita in Arizona. Visitors also vote for their favorites in a People’s Choice category. Last year’s overall winner was an orange jalapẽno margarita by Eric Brenner of Pastiche.

11. YOU CAN GET YOUR MARGARITA IN FRIED FORM.

Kristy, Flickr

Why drink your cocktail when you can eat it? This strange food is served at the Texas State Fair, along with a variety of other food that shouldn’t be fried. Funnel cake batter is put through a margarita mixer, fried, and then soaked in more margarita. The finished product is topped with whipped cream and served in a salt-rimmed glass.

 

 

All images courtesy of iStock unless noted otherwise 

sonoma

Sonoma Valley growth sparks debate over area’s future

Sonoma Valley growth sparks debate over area’s future

Click here to view original web page at www.pressdemocrat.com CLARK MASON

 A half-dozen proposed projects in the upper Sonoma Valley are sparking a debate over growth along the Highway 12 corridor between Santa Rosa and Agua Caliente.

Resort at Sonoma Country Inn: 50-room hotel, 125-seat restaurant, spa, 10,000-case winery, 20 events

The “Scenic Route” sign on Highway 12 announces the obvious to motorists heading into the Valley of the Moon. It’s cradled by mountains, dotted with giant oaks, horse ranches, vineyards, remnants of old orchards and the odd water tower.

The road delivers inspiring views of imposing Hood Mountain, its craggy face standing sentinel over a historic route from Santa Rosa to Sonoma that carried stagecoaches and trains before the automobile took over.

But today, the two-lane highway is crowded with traffic generated by commuters, residential and commercial development, sightseers and visitors headed to wineries and tasting rooms.

The northern arm of Sonoma Valley, between Madrone and Melita roads, is home to more than 40 tasting rooms and event centers that each year attract more than 140,000 people to special events. They could be joined by another half-dozen or more tasting rooms and more than 110 annual special events with 20,000 more people if permits in the pipeline previously approved, but not yet built, are exercised.

The burgeoning wine industry and plans for a high-end luxury hotel, spa and winery off La Campagna Lane in Kenwood have especially drawn attention and opposition while highlighting the impact of development along the county’s busiest wine road.

The growth has set off alarms among rural residents concerned about the loss of agricultural land and the vehicles and noise generated by winery events, especially on weekends. They raise the specter of “Napafication,” the fear that roads will become as clogged as in Napa Valley, where traffic on Highway 29 slows to a long crawl on Saturdays and Sundays when visitors stream to the abundant large corporate-owned wineries.

The projects have sparked a debate inside Sonoma Valley over its future, one that comes at a time when the county is having a similar conversation about how to maintain the vitality of the wine and tourism industries while preventing activity that diminishes the rural character of the region.

“I’m very concerned about the growth of wineries, events and tasting rooms in the Sonoma Valley in a couple of different areas,” said Supervisor Susan Gorin, whose district is sprinkled with 120 wineries and tasting rooms in the Sonoma Valley and Carneros regions.

Gorin, along with a majority of county supervisors, last year reached consensus on the need for new regulations on what is one of the largest sectors of the local economy — wine-related tourism, which generates more than $1.25 billion in Sonoma County each year.

Supervisors signaled the wine industry will face greater county scrutiny and potential limits on new development and business activity, not only in Sonoma Valley but also north of Healdsburg, along Westside Road and the Dry Creek Valley, which have a plethora of wineries and even narrower roads.

The issue is expected to come back before the Board of Supervisors later this year.

Wine industry leaders say events are a vital tool for local vintners to sell their wines and remain competitive, and complaints tend to be relatively few.

Overall, they say their surveys show Sonoma County wineries and events have high favorability ratings among the public. They fear any large-scale overhaul that restricts events could drive wineries — especially smaller ones — out of business.

“Growth isn’t all wineries,” said Jean Arnold Sessions, executive director of Sonoma County Vintners, a winemakers’ trade group. “To me, the bigger issue vintners and the community face is how to integrate this growth to protect our rural agriculture.”

moonshiners

Dead distillers: Weird and wonderful stories of US whiskey and moonshine makers

Dead Distillers by Colin Spoelman, David Haskell and Kings County Distillery published by Abrams is. Click here to view original web page at www.concordregister.com

We’re so used to seeing Jack Daniels’ name emblazoned across and merchandise from t-shirts to guitars, that it’s easy to forget that he was a real man who brewed whiskey in Lynchburg Tennessee. Or that seven generations of Bourbon-makers have been involved in the production of Jim Beam, made in Clermont, Kentucky.

To forget the people behind some of the world’s best-selling drinks, but particularly those that have sunk into obscurity, is to miss out on the rich and oftentimes bizarre history of brewing in the US, as mapped out by New York City-based award-winning bourbon and whiskey-makers Colin Spoelman and David Haskell in their book Dead Distillers: A History of the Upstarts and Outlaws Who Made American Spirits. The pair chart the history with the tombstones of dead distillers as their starting point.

Since Dutch businessmen Cornelis Melyn and Willem Kieft established the first distillery in the US four hundred years ago, hard liquor has been a part of the nation’s culture. As the book addresses, as well as Jim Beam and Jack Daniel, president George Washington was among those who dabbled in distilling. And during his tenure in 1791 the Whiskey Rebellion was a protest against the first ever tax on the drink by the relatively new federal government. Fast forward almost two centuries later and the Nationwide Prohibition introduced in 1920 banned the production, sale, and important of alcohol of 13 years. Now, the US is among nations witnessing a revival of craft spirits.

As the title suggests, whether real or at least slightly romanticised, the work of these distillers conjures up notions of industrious and honest men and women working hard to make a few bucks out of intoxicating products, and in turn carving out their own versions of the American Dream.

Below are some of their favourite stories from the book.

Mark Wazeniak, Moonshiner (1890 – Unknown)

Mary Wazeniak ran a speakeasy in Brookfield, Illinois, near Chicago. One evening, in 1923, George L. Rheaton, of LaGrange, Indiana, bought five or six shots of Mary’s moonshine. He staggered out of the bar, walked about two hundred feet, and fell dead. Chemical analysis during an autopsy indicated that Rheaton died of methanol poisoning. “Moonshine Mary,” as the press dubbed her, was thirty-four years old and a mother of three when she was sentenced to a year to life. This is what we know of Mary. It’s not much. And to read this, you would think that it was Mary who poisoned Rheaton, but it wasn’t.

It was the federal government. By the mid-1920s, Prohibition’s noble experiment was starting to show great wear on the people for whom it was meant to benefit. Still, alcohol was not that hard to find, as industrial alcohol is a necessary ingredient in after shave, antifreeze, felt hats, embalming fluid, and fuel. Recognising this temptation, and as a deterrence, the government routinely altered the chemical composition of the spirit to make it undrinkable. The added chemical was methanol, which in trace quantities is present in all fermented beverages and in most distilled spirits—it’s a simpler alcohol molecule, sometimes called wood alcohol—but in concentrated form is highly toxic. As little as thirty millilitres of methanol can blind a person; sixty millilitres is lethal. The federal government, in its wisdom, decided to add methanol to ethanol (the chemical we drink) so that it couldn’t be consumed safely.

And yet methanol has a slightly lower boiling point than ethanol, and some enterprising moonshiners reasoned that the two could be separated through distillation. This is technically true, but difficult in practice, especially at the scale of a bootlegger using copper pots as small as ten gallons. Inevitably, methanol contaminated the ethanol, and people frequently got sick.

Over the Christmas holiday in 1926, for instance, twenty-three people died from methanol poisoning in New York City. The medical examiner, Charles Norris, spoke out against what he called a “national experiment in extermination.” Government officials at the time—and many historians today—explain away such deaths as inevitable, given the country’s ravenous appetite for spirits. But most of the deaths were avoidable. Imagine today’s government, in an effort to reduce drug use, spraying marijuana crops with poison.

These days, people still fear homemade alcohol as something that might blind or kill the drinker. But if it is made from properly fermented sugars, there’s no reason to expect moonshine to contain anything higher than ten parts per million of methanol. This is five to six times less than most commercial alcohol. You would have to drink north of thirty gallons of moonshine to get a harmful dose of methanol, and would die from the ethanol long before that became a possibility.

John Daly, Fireman. Frank Trennor, Assistant Fireman. Joseph and Mrs Horaka, Shaving-Pushers. ‘Sandy’, Miller. Frank Podratz, Coal-Wheeler. Jacob Kakuska, Engineer. All died 1880

Under the massive headline “BLOWN TO ETERNITY,” the Chicago Tribune described the explosion of a steam cooker at Simon Powell & Sons Distillery in 1880, which was located at South Canalport Avenue and South Morgan Street. The engineer had built a pressure cooker for the mash, which was desired to improve efficiency at the distillery, though at the time of the accident, it had been used only a few times. The distiller on duty had a clog in the line and directed the engineer to increase the steam to blow the clog through. The boiler exploded. “It was blown through the roof, and went almost straight up into the air, some say until it looked no larger than a flour-barrel. The main portion landed on the west side of Morgan Street, about 175 feet west and a little to the north of its original location . . . the jagged edge of the riven iron looked like a mammoth fruit can which had been chopped open with a dull instrument.”

Six died in the explosion, including Sandy (his last name went unrecorded), a Scotsman who was mortally injured by the concussion and scalding, his body “badly mangled and so horribly scalded that the skin and portions of the flesh peeled off to the touch.” When fireman Daly’s wife found her husband’s body, “her grief became uncontrollable, and it was with great difficulty that she was taken from the room to prevent her from throwing herself prostrate upon the disfigured remains.”

The saddest story of all was Joseph Horaka, whose wife was bringing him supper at the time of the explosion. Both were buried in the wreckage. “In the mass of bricks and shavings a young man found a shawl and a piece of a dress. ‘Here’s the woman,’ he shouted, and immediately a crowd gathered about him. A few began digging into the shaving with their hands, and soon a slipper and a dinner-pail were brought out.” But after several hours of digging the bodies could not be found. Their fifteen-year-old daughter came to the scene, “crying as if her heart would break,” whereupon she claimed the shawl and other articles. “She identified them all at once. But even this did not add to her already strong conviction that both her parents were in the ruins.”

Thomas Lincoln, Whiskey Trader (1778-1851)

Born in Virginia, Thomas Lincoln moved west with his father into Kentucky to a remote plot of frontier land at the suggestion of a distant relative, the pioneer Daniel Boone. At age eight, while he and

his two older brothers were planting in a field a good distance from their house, they witnessed their father’s attack and murder by an Indian. His older brother, Mordecai, shot the Indian dead with a rifle moments later. His mother, Bathsheba, moved the family again to Nelson County, Kentucky.

Generally unambitious and incompetent, Lincoln rarely found paying jobs in Kentucky, though he was known as a decent carpenter. He married in 1806 and, after a decade of hard luck, endeavoured to move north to Indiana, where land was reportedly inexpensive and fertile. When the time came, he traded his worldly goods for whiskey barrels he hoped would serve as the currency for a new life. His two young sons attended the casting off of the boat from the Rolling Fork River into the Ohio, but the boat capsized in an eddy, sending several barrels and a set of tools into the river. Some barrels were recovered, as were the tools, and Lincoln found an oxcart to bring them to the new land where he eventually settled.

One of his sons, young Abraham, would never be much of a drinker, perhaps because he witnessed much of the family fortune floating down the river. In 1862, acting in his capacity as sixteenth president of the United States, he passed into law an emergency wartime revenue act, taxing sinful and luxurious goods such as tobacco, playing cards, pianos, yachts, feathers, and distilled spirits, thus creating in the United States the concept of the illicit distiller, or moonshiner. Lincoln’s excise tax, though designed as a stopgap measure to raise funds for the Union, remains to this day, and helped fund expansion of the federal government after the Civil War, until the income tax passed in 1913.

Thomas Lincoln and his son stopped speaking in later years. They disagreed over the virtue of religion and education. The younger Lincoln did not attend his father’s funeral and would not pay for a headstone.

Dead Distillers by Colin Spoelman, David Haskell and Kings County Distillery published by Abrams is.

 

Good Alco-News: America’s spirits business is booming

Good Alco-News: America’s spirits business is booming

BY . AMERICAN SPECTATOR. FEBRUARY 14, 2017  Click here to view original web page at www.rstreet.org

The U.S. drinks business is booming, despite the finger-wagging by neo-prohibitionists. Last year’s liquor volume sales climbed 2.4 percent to 220 million cases, and revenues were up 4.5 percent to $25.2 billion, according to data released by the Distilled Spirits Council.

Does this means America is on a bender? No. In fact, Americans are not drinking more per capita. Binge drinking is down, as is underage drinking.

The growth of the sales of spirits volumes partly reflects that more Americans are adding spirits to their intake. Some 28 percent of Americans call spirits their first choice for tippling, according to Harris Poll. Robert Simonson’s recent book, A Proper Drink: The Untold Story of How a Band of Bartenders Saved the Civilized Drinking World, well tells how cocktails have gone from low-quality and uncool to top-notch and chic over the past 20 years.

And when Americans drink spirits they increasingly are drinking pricier stuff from the top shelf. High-end and super premium sales are growing for nearly every category, as the table below shows.Good Alco-News: America’s spirits business is booming
SOURCE: Distilled Spirits Council of the United States, “Annual Briefing Support Tables,” February 2017.

Rising sales and revenues also reflect continued export expansion. U.S. spirits exports increased 6.8 percent, despite the dollar being strong relative to many foreign currencies. Canada, the United Kingdom, Australia, Spain, Germany and Japan were the top export markets, each purchasing more than $100 million in hooch.

What will the future bring for drinks sales? Certainly, the neo-prohibitionists pose a threat. They continue blaming alcohol as an evil and advocating higher taxes and more restrictions on access. To date, the domestic market has ignored their macabre tales. Indeed, over the past decade, states and localities have expanded access by permitting liquor tastings at distilleries and paring back Sunday sales restrictions.

Internationally, things are a bit more difficult to predict. Certainly, the world is falling in love with American whiskeys — as well they should. However, our teetotaler President Donald J. Trump’s threats to renegotiate trade deals adds a wild card into the mix. If he can cut America a better deal or partners with Congress to enact policies to weaken the dollar, drinks sales could climb. But if Trump greatly antagonizes foreign leaders or pulls a Brexit-type maneuver, sales could fall — which would hurt American distilleries and anyone with drinks stocks in their portfolios. Time will tell.

Tap This: 6 beers to try this Valentine’s Day no matter who you’re with

Tap This: 6 beers to try this Valentine’s Day no matter who you’re with

When discussing craft beers in America we tend to drop impressive dates of some older breweries that opened in the late ’70s or early ’80s. These “older” breweries seem to have been on the landscape for quite some time. Some macro breweries even date back to the 1800s, but in the overall beer landscape, we are nothing but infants.

Many European breweries have existed for centuries and have been brewing beers that are still just as impressive today as they were hundreds of years ago. One such brewery is the Rochefort Brewery, or Brasserie de Rochefort, the Trappist brewers behind the Rochefort line of world class Belgian beers.

The brewery is located in Rochefort, Belgium, and has been brewing beer since 1595. That’s right, the brewery has been brewing incredible beers nearly two centuries before the United States existed as a country. The brewery is also one of only 11 breweries in the world that has the Trappist label, meaning the beer is brewed by monks.

The Rochefort Brewery is directly associated with the Rochefort Abbey which was founded around 1230. Monks began brewing beer as a means to fund the monastery. The brewery has continued to grow and has developed a worldwide following and has gained a status as a brewer of some of the best beers in the world.

This is even more impressive when considering the brewery’s full lineup consists of only three beers that are released worldwide. With many craft breweries continuously expanding their beer lineup, the Rochefort Brewery has stuck to what it does best and has beers good enough that just three will suffice.

So what are these three beers that have gained such a stellar reputation? They are known simply by number and a colored bottle cap. The beers are Rochefort 6 (red cap), Rochefort 8 (green cap), and Rochefort 10 (blue cap).

Rochefort 6: At 7.5 percent ABV this is the lowest ABV beer produced. This Belgian Dubbel has a deep red hue with an aroma that explodes with an array of fruit notes and sweet malts. A smooth, rich body that is the perfect vessel for the variety of flavors locked within this example of great Belgian beer. This is an easy drinking beer and seemingly has something for everyone. It is the most approachable of all the beers.

Rochefort 8: A Belgian dark ale with a 9.2 % ABV has a thicker body than Rochefort 6, but is still an easy drinking beer. This beer was originally brewed for New Years Eve celebrations, but eventually became a favorite. Notes of dark red fruits abound with hints of brown sugar, molasses, figs and caramel swirl together in a beer that has the perfect touch of sweetness. The higher ABV makes it a little more aggressive, but is still fairly approachable for all craft beer lovers.

Rochefort 10: This 11.3 % ABV Belgian Quadrupel is the big brother of the group. This is the richest and most complex beer. Toffee malts, sweet cherry, figs, brown sugar and spicy hops are the perfect balance of flavors. The ABV may be high, but there is no alcohol heat present and instead this beer drinks more like fine smooth whiskey, but with no alcohol bite. No self-respecting craft beer lover can miss trying this beer.

The Rochefort Brewery has a long storied history with world class beers. Its beers should be in constant rotation for all craft beer lovers. While they are readily available they should not be taken for granted, if you have not experienced the wonders of these beers there is no better time than right now to try them.

Derek Warren is a beer fanatic, avid homebrewer and beer historian. Derek can be heard weekly on the Beer Geeks Radio Hour at noon on Sundays on WILK 103.1 FM with past episodes available on iTunes.

With Valentine's Day in mind, some sweet brews for your sweetheart ... and you

With Valentine’s Day in mind, some sweet brews for your sweetheart … and you

For some, Valentine’s Day is a chance to give chocolates or other sweets. For others, the day might bring a blend of sweet and sour elements. The local craft beer industry sees Valentine’s Day as an opportunity for creativity, collaboration and even some ruminations on the nature of love.

Whether you seek a sweet chocolate-infused beer for your sweetie, or your inclination is more toward the sour, local craft beer makers might have just the thing, if you want a special craft beer to help celebrate the day.

Five craft breweries have new releases designed around Valentine’s Day, and The Veil Brewing Co.’s co-owner Dave Michelow says the brewery has something special planned for the day, too.

RVA Collab House, the Scott’s Addition location of Three Notch’d Brewing Co., will have Loose Moose on tap for Valentine’s Day.

This “dessert beer” was designed by Charlottesville-area native and avid home brewer Noelle Gray. “A chocolate lover’s dream, this rich, creamy stout was made with three different kinds of dark roast barleys, giving it several layers of chocolate and roast flavors, then finished off with Ghirardelli dark chocolate,” says Dave Warwick, founding brewer at Three Notch’d.

Castleburg Brewery has a new release coming out Saturday, Feb. 11. The Siege Chocolate Raspberry Stout is described by brewer Karl Homburg as containing “chocolate and subtle hints of raspberry in a dark and decadent milk sweet stout, brewed with cocoa nibs from the Dominican Republic and raspberries.”

This will beg comparison to the well-established Hardywood Raspberry Stout, available since March 2013. Hardywood Park Craft Brewery’s stout is described as “brewed with heaps of chocolate malt, cacao nibs and local, late-season red raspberries from Agri-berry Farm. It captures the essence of a decadent raspberry truffle in liquid form.”

Trapezium Brewing in Petersburg will release Get Lucky 14 Raspberry Stout on Friday, Feb. 10. This new offering has “bright raspberry flavor with subtle notes of chocolate,” says sales director Kirk Candler.

Other chocolate-infused stouts can be found in Goochland County and Ashland. Lickinghole Creek Craft Brewery in Goochland offers Heir Apparent, and Center of the Universe Brewing Co. in Ashland has Orange Is the New Stout, described as “an imperial chocolate stout crafted with oranges and sea salt.”

For those looking for a lighter chocolate beer, porters can also include chocolate. Dave Gott, executive vice president of Legend Brewing Co., offers this description of Legend Chocolate Porter: “We generously added dark malts to this brew, including caramel and chocolate malts. By blending in natural cocoa, the flavor is of dark chocolate, coffee, caramel, and more dark chocolate.”

Triple Crossing Brewing Co. went in the sweet-and-sour direction for its Valentine’s Day release. Co-owner Scott Jones says the brewery’s Waxing Poetic with Passionfruit and Mango, a 4 percent tart wheat Berliner Weisse, “was fermented and conditioned over hundreds of pounds of mango and passion fruit purée. Tart, tropical and fruit forward.”

Isley Brewing’s new Valentine’s Day-themed release also focused on the sour. Summit Ave 3 is a barrel-aged sour Belgian white with cherries. Isley Brewing Co. brewmaster Josh Stamps describes it as: “Forty pounds of sour black cherries, Lactobacillus (bacteria that produce lactic acid to create the “sour” taste) and Brettanomyces (yeast) to add sour, tartness and a funk, all over a simple Belgian blonde!” The rationale behind this, Stamps says, is that “love is bittersweet, and we take the good with the bad, we work through challenges, and come out better than ever (hopefully!). Into the barrels went a rather simple, mild blonde ale.

“We utilized some very difficult, sometimes frustrating, always challenging techniques. Like love, this beer has faced many challenges, and has emerged stronger, better, and more beautiful than ever before.”

Click here to view original web page at www.richmond.com

chocolate

Pairing Wine and Chocolate for Valentines

Not many things on this earth go together as well as chocolate and wine. So with that in mind I reached Chris Wildeman of SoBro Spirits — someone who knows wine much better than I — to get the lowdown on which wines will suit your chocolatey desire this Valentine’s Day.

Here is what Chris had to say:

“Strike like Cupid this Valentine’s Day by bringing dry wine and sweet chocolate together.

“Chocolate and wine are common inventory used in accompanying the mid-February lovers’ tradition, but options aren’t as limited as one might think. It is commonly perceived that only sweet wine can go hand in hand with chocolate. Here is a quick go-to guide sure to steer you in a different direction when pairing sweet treats with dry wines for your special sweetheart.”

click to enlarge
Australian Shiraz and Cabernet Sauvignon should be go-tos for dark chocolate lovers. – PIXABAY
Australian Shiraz and Cabernet Sauvignon should be go-tos for dark chocolate lovers.
Pixabay
Dark Chocolate lovers:

“If you prefer dark chocolate,” says Chris, “look towards Australian Shiraz or Cabernet Sauvignon. The bitterness of dark chocolate pairs nicely with the tannic, jammy and full-bodied attack those grapes offer. Bold is definitely the theme here.” Chris suggests that you “give the Inkberry Shiraz-Cab from Australia a try. This is a fun, quality wine, full of voluptuous blue and black fruit.” The good news is it’s great bargain, usually retailing under $15.

Milk Chocolate lovers:
click to enlarge
Pinot Noir is a nice match for milk chocolate – PIXABAY
Pinot Noir is a nice match for milk chocolate
Pixabay

Chris says, “For those that are seeking a dry wine pairing for milk chocolate, consider Pinot Noir. One of the keys to the unity of wine and chocolate is matching each other’s heaviness. Just as a bold and spicy Shiraz matches the rich and bitter components of dark chocolate, the elegant and lighter Pinot Noir matches the milder essence of milk chocolate. New Zealand produces wonderful cool climate Pinot’s that have the ability to rival those of Oregon and France.”

White Chocolate lovers:

“Not normally a fan of chocolate, but have a taste for white chocolate?” Chris asks, “Let’s get bubbly. Sparkling rosé (for all intents and purposes, sweet or dry) will seal the deal. Spanish Cava is some of the best bang-for-your-buck sparkling wine out there.” According to Chris, “The Poema Brut Rosé is an incredible option in this category.” Which once again is wallet-friendly, hanging around the $10-mark. He also says, “Freixenet’s Sweet Cuvée is just as inexpensive and is another red-berry-based option to pair with the buttery and creamy white chocolate.”

He finishes by saying, “Ultimately, your palate is the judge of what works best.

“Not a fan of these suggestions? Try something else: Tawny Port, Moscato d’ Asti, German Riesling; those are common suggestions.
click to enlarge
Chris Wildeman is NUVO’s new go-to wine guy.
Chris Wildeman is NUVO’s new go-to wine guy.
“We all have our own opinions. That’s the beauty of wine.”

Chris Wildeman has lived in Indianapolis his entire life. He is a Certified Specialist in Wine and is the Wine Buyer for SoBro Spirits located in South Broad Ripple. Value and uniqueness are two principles of wine he enjoys sharing with others.

 

By Chris Wildeman

Guinness to Build Stateside Brewery

World renown Irish brewer Guinness will build in the United States. The brewery’s parent company Diageo has chosen Maryland for the build.

The build will be a U.S. version of Dublin’s popular Guinness Open Gate Brewery, a mid-sized location and visitor experience in Baltimore County, Maryland. Diageo is investing $50 million dollars in the project.

The facility will brew and feature beers created solely for the American market. The St. James Gate facility will still be the brewing home to the iconic Guinness Stout.

This new project will re-establish a Guinness brewery in the U.S. after a 63 year absence. Diageo has chosen Relay, Maryland as the preferred location for a plethora of reasons, including proximity to major tourist destinations, skilled nearby labor, and existing structures that the brewery can renovate. Guinness will be renovating a Diageo bottling facility that was shuttered in 2015.

“Guinness’ plan to build a brewery at its historic facility in Relay, MD is great news for job creation, manufacturing, and tourism in our state. Beer tourism attracts millions of visitors to towns and communities across the country every year and I look forward to welcoming Guinness to the roster of excellent breweries we have here in Maryland.” – Maryland Governor Larry Hogan

Diageo is hoping to have final approval soon, and commence construction in the spring. The goal is to have Guinness U.S. open by the 200th Anniversary of Guinness being first imported into the United States.

Developing...

Existential Beer and The State of Western Culture.

A guy walks into a bar. This guy was me. This was a bar that had the claim of 64 different beers on tap. I went in the early evening to take advantage of happy hour (it should be called happy hours). I ordered a local beer, an IPA from Prescott brewing company. Being one of the few people in the bar, and the only one sitting at the bar, I struck up a conversation with the bartender by asking what his most popular keg was. Without hesitation he said, “Bud Light.” He went on to say “Bud Light makes up about 50% of all the beer sales.” That was not all he had to say. He told me that the next best seller was Michelob Ultra, then Coors, PBR, and finally Kiltlifter from the local Four Peaks Brewery. This got me thinking, so for the next few days I walked into bars and asked the same question, what is your best selling beer? The results did not very much, PBR and Bud Light seemed to be the kings of the taps.

This shocked me. In a world that has all these different kinds of beer to choose from, the biggest sellers are the beers you can get anywhere. This got my mind working. What is it that makes people want to drink these big beer company beers and not venture out and try some craft beer? The most obvious thought I had is that big beers are simply cheaper. At the initial bar my beer costed $5.50 which is the price of a 6 pack of Keystones. Whereas the price of a Bud Light costs $4. However, this did not seem like a reason to deter people. At a bar you’re always going to pay more than what you would if you bought the beer from a convenience store, and the $1.50 price difference is negligible especially when you are paying for a higher quality beverage. So I thought, maybe it is a cultural thing, a generational thing.

Craft beers did not really hit the mainstream until the mid-90s. The pioneers like Stone, Sam Adams, Sierra Nevada, and New Belgium where relatively late in the beer game. Beers like Coors, and Budweiser, and PBR have been around for ages. The drinking populous being above 21 is comprised mostly of boomers and other earlier generations. Generations that grew up with these older brands. I applied this theory anecdotally. I’ve asked a number of people over the age of 40 their opinions on craft beer. The preeminent criticism is that it is too bitter. I cannot blame them. A Bud Light is a fairly bland beer compared to an IPA, which seems to be the most popular beer style among craft brewers. It is wildly different from the beers that people knew 30 years ago.

Even though the craft beer industry has a loyal following it is becoming oversaturated. New breweries are appearing every day. This leads me to think that because they are not really even making an impact on big beers and they are really only competing against one another that the craft beer industry will eventually implode and the ones that survive will either sell out to a big beer company or try and remain independent and only serve beer on a local level due to distribution laws. I see this happening on a larger scale, on a cultural level.

America is developing bland, comfortable taste, and this is mirrored by the kinds of movies we go to, the kinds of music we listen to, the television shows, the cars we drive, the books we read, and the beers we drink.

Think about the biggest blockbusters of the past few years. They have all been remakes or superhero movies. It does not matter what rave reviews some of the more creative movies get, the superhero movie or the reboot series will always outsell it. It makes sense if you’re going to spend your hard earned money, you’re going to want to make sure it is well spent, not blown on some movie you might regret. With a reboot or a series movie, you know what you’re getting into. How in the world will an artistic, or creative new idea ever outsell a franchise?

People do not want art, they do not want to try new things. I should say the majority of people do not want this. There are some who resist. The resistance is futile. What is ever easiest to digest will be preeminent. Listen to a symphony by Beethoven, then listen to anything on the billboard top 100. It is painfully obvious that people want something simple, something that does not require any sort extra work to appreciate. This can be said about any type of art. A Joyce novel versus anything post Hemmingway. Lettered correspondence versus emoji.  A 1957 Chevrolet impala versus a 2017 impala. Sure, all these things at their core do the same thing. Any beer will get you drunk, any movie will entertain you, any book will too. Any song can be background noise, and any car will get you there. Where is the inspiration? I am not saying that things are bad, or worse now than they were. Hell, a lot of things are better. We have some of the greatest movie and television shows and cars are better, and music quality is phenomenal. What I am saying is that despite our having access to great inspired things ultimately the easiest most bare bones soulless thing will win in the end.

This is because people as a species are lazy. This makes complete sense. In a state of nature why would we ever do something we never had to? It would be a waste of energy. Why try something new? It could be poisonous. Every major innovation is something that makes life easier.

This is why craft beers will ultimately lose, and implode. However those of us who drink craft beverages and support the higher arts will still shell out that extra $1.50.

Article by Sam Hill -sjhill22@outlook.com

Craft Spirits to Dominate Global Spirit Market: Ken Research

Craft Spirits to Dominate Global Spirit Market: Ken Research

Ken Research has announced publication titled, “Opportunities in Craft Spirits” which explores the top trends and innovation themes within the craft spirits industry.

The report is a requisite guide that covers the present scenario and further provides for the growth prospects of the craft beer market in the years to come. It evaluates the current and future growth occasions across regions and countries with the motive of supporting corporate development and related initiatives.

It helps in gaining a broader appreciation of the fast-moving consumer goods industry by gaining insights from within as well as outside. It gets easier to access valuable strategic take-outs that help in directing future decision-making and informing about new products development.

The preferences of beer consumers have changed due to the introduction of craft beers, which typically contains higher alcohol content. Tracking the success of craft beers over the past few decades, the spirits industry is commencing to take hold of the craft movement.

Trustworthy experiences are in demand and more consumers are looking to experiment with innovative and strange flavored spirits. As a result, a number of distillers are expected to raise their craft offerings to gain an early foothold in the emerging market.

In 2003, there were 60 craft distillers operating in the United States. Today, that total is 760, according to the American Distilling Institute (ADI), and a further 200 are under construction. There are numerous opportunities within the craft spirits market and they are expected to bring innovation themes such as the incorporation of innovative and/or medicinal ingredients.

Some recent mergers and acquisitions are pledging to continue changing the industry. In 2015, Mahalo Spirits Group invested in Bardstown Bourbon Co. of Kentucky, financing a USD 25 million distillery and Angels Envy Bourbon sold itself to Bacardi for USD 150 million. Hood Rivers Distillers of Oregon acquired Seattle’s Big Gin last May, and Constellation Brands acquired High West Distillers of Park City, Utah in 2016.

Most recently, Davos Brands of New York acquired Aviation Gin of Portland, Ore., and Remy Cointreau of France obtained Seattle’s Westland Distillery.

Topics Covered in The Report

Global beer industry research report
Global Beer industry insights
Global Alcoholic beverages Industry
Global Alcohol Consumption by volume
North America Alcohol Industry Research Report
Europe Alcoholic Beverages Market size
Aisa Alcoholic Beverages industry research
Global spirits market research
Craft Spirits Demand worldwide
Global Craft Spirits future Outlook